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Kings (2017)

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  •  Trailer
Millie is a hardworking, tough and protective Los Angeles single mother with an affection for homeless children. Her neighbor Obie is the local loose cannon -- and the only white man -- in an area largely inhabited by African-Americans, Latinos and Koreans. With racial tensions running high, Millie and Obie appear to be unlikely allies. But following the acquittal of four of the officers accused of beating Rodney King, the two of them must navigate the gathering chaos in the city.
Release:
IMDb:
4.8
Quality:
HD
Duration:
92 min
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National Post
The tone of the piece is all over the place, from tear-jerking pathos to ribald comedy and back again.
April 27, 2018
AV Club
It's possible to appreciate the film for recognizing both the horror and the absurdity in its subjects...and for playing exclusively in those extreme registers, yet still come to the conclusion that it's is all bark, no bite.
April 27, 2018
Film Threat
For all its best efforts, Kings fails to put the 1992 Los Angeles riots into focus.
May 14, 2018
New York Times
In tying its story to this particular moment in American history, the movie bites off more than it can coherently chew.
April 26, 2018
FilmsInReview.com
It's about screaming and loud yelling. Not to be left out, even Craig gets a screaming scene.
May 06, 2018
Sacramento News & Review
What once felt fresh and honest now comes across as completely phony.
May 09, 2018
Film Journal International
Strange and evocative, but not really satisfying.
April 27, 2018
Chicago Sun-Times
The English-language debut from the brilliant talent behind best foreign film picture nominee Mustang is a terribly uneven, borderline absurdist jumble that undercuts its own message again and again.
April 26, 2018
Rolling Stone
This dud recreation of the 1992 L.A. riots traps Halle Berry and Daniel Craig and a piece of momentous, civil-rights history in a crazyquilt of random action, absurdist humor, bogus romance and questionable purpose.
April 28, 2018
RogerEbert.com
Kings is clueless about its subject matter.
April 27, 2018
Toronto Star
It seems like a missed opportunity to dramatize the lives of real people caught up in the aftermath of the violence.
April 26, 2018